The uncanny

Lunar Park: From ashes to ashes

American Literature / Psychoanalysis / Comparative Literature / 9/11 Literature / The uncanny / Jean Baudrillard / Bret Easton Ellis / American Exceptionalism / Joan Didion / American Psycho / Jean Baudrillard / Bret Easton Ellis / American Exceptionalism / Joan Didion / American Psycho

O Espectador (IN)visível: Reflexividade na Óptica do Espectador em INLAND EMPIRE, de David Lynch

Film Analysis / Self-Reference, Reflexivity, Reflection / Cinema / David Lynch / The uncanny / Mise en abyme - Theory / Film and Media Studies / Cinema Studies / Metacinema / Metanarrative / Film Narrative / Allegory Studies / Mise en abyme - Theory / Film and Media Studies / Cinema Studies / Metacinema / Metanarrative / Film Narrative / Allegory Studies

Music Video’s Performing Bodies: Floria Sigismondi as Gestural Animator and Puppeteer

Media Studies / Avant-Garde Cinema / Animation / Photography / Performance Studies / Animation Theory / Stop-motion Animation / Music Video / Gesture / Puppetry / Surrealism / Performativity / Gender / Performance / Judith Butler / Carl G. Jung / Cinema / Animism / Puppet Theatre / Jan Svankmajer / The uncanny / Performativity of Gender / Puppetry as an Art Form / Puppet Animation / Quay Brothers / Film and Media Studies / Dehumanization and Objectification / Representation of Women in Music Lyrics and Videos / Transgression / DANCE FILM / David Bowie / Transmedia, Screenwriting, Film and Media Studies / Animated Visual Music, Animation / Animism, Animation, Animation Theory / Human Agency / Video Music / Animation Theory and Practice / Gestures Studies / Pixillation / Floria Sigismondi / Animation Theory / Stop-motion Animation / Music Video / Gesture / Puppetry / Surrealism / Performativity / Gender / Performance / Judith Butler / Carl G. Jung / Cinema / Animism / Puppet Theatre / Jan Svankmajer / The uncanny / Performativity of Gender / Puppetry as an Art Form / Puppet Animation / Quay Brothers / Film and Media Studies / Dehumanization and Objectification / Representation of Women in Music Lyrics and Videos / Transgression / DANCE FILM / David Bowie / Transmedia, Screenwriting, Film and Media Studies / Animated Visual Music, Animation / Animism, Animation, Animation Theory / Human Agency / Video Music / Animation Theory and Practice / Gestures Studies / Pixillation / Floria Sigismondi

Poderes do Horror, de Julia Kristeva, Capítulo 1

Literature / Julia Kristeva / Dostoevsky / The uncanny / Lacanian psychoanalysis / Horror Literature / Horror / The Abject (Kristeva) / Kristevan Abject and Intertextuality / Horror Literature / Horror / The Abject (Kristeva) / Kristevan Abject and Intertextuality

O fantástico, o maravilhoso e a frustração: os filmes da série \"Harry Potter\"

Literature / Guy Debord / Sigmund Freud / Harry Potter / Cinema / The uncanny / Karl Marx / Tzvetan Todorov / Literatura / Fantastic Literature / E.T.A. Hoffmann / Literatura Fantástica / Literatura inglesa / das Unheimliche / The uncanny / Karl Marx / Tzvetan Todorov / Literatura / Fantastic Literature / E.T.A. Hoffmann / Literatura Fantástica / Literatura inglesa / das Unheimliche

Resenha de \"Obra Completa\", de Murilo Rubião - Jornal \"Valor\"

The uncanny / Literatura brasileira / Narrativas / Murilo Rubião / Literatura Fantástica / Temporalidade / Literatura Brasileira Contemporânea / Temporalidade / Literatura Brasileira Contemporânea

Spectral Pixels: Digital Ghosts in Contemporary Hindi Horror Cinema (Widescreen; Vol. 5, No.1, February 2014)

Technology / New Media / Digital Media / Cultural History Of Ghosts / Cell Phones / Horror Cinema / Hindi Cinema / The uncanny / MMS / Horror Cinema / Hindi Cinema / The uncanny / MMS

Algumas considerações psicanalíticas sobre o Natal e o Ano Novo

Psychoanalysis / Sigmund Freud / Psychoanalysis And Literature / The uncanny / Christmas / das Unheimliche

O insólito em “The fifth-ninth bear”, de Sylvia Plath

The uncanny / Sylvia Plath / Short Stories
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